Showing posts with label organization. Show all posts
Showing posts with label organization. Show all posts

Thursday, July 18, 2013

UIETips: Hiring a UX Pro – 4 Techniques from Smart Teams

Right now, it’s difficult to hire a great UX professional. The demand is very high for both generalist UX designers and for specialists, like information architects or user researchers.
The most talented folks are hard to locate and bring in for interviews. Many of the folks who end up applying for openings lack the skills necessary to do the job.
This puts added pressure on an already stressful hiring process. In research we’ve conducted over the last couple of years, we’re seeing many teams turning away great candidates and hiring people who aren’t qualified to do the work.
Hiring is not a natural process. It needs to be designed, just like any experience. In our research, we learned that most teams amble into the hiring process by copying actions from others or by inventing wacky steps.
Getting great results when you’re inventing what you’re doing on the fly is very difficult. (And HR departments, we’re sad to say, don’t really know much more about hiring in general, let alone hiring great UX folks.)
Yet, we discovered several teams with a great hiring record. They are identifying ideal candidates and building teams that produce great results. Here are four techniques we learned from them that help ensure a successful hiring process:

Tip 1: Assessing the Current Team’s Skills

As one manager put it, “You wouldn’t go shopping if you didn’t know what your pantry and fridge already had or were missing.” We met several managers who started their hiring process with a team skill assessment.
The technique is straight forward. You make a list of the necessary skills needed from the team to complete the work over the next year. These skills might include information architecture, visual design, jQuery prototyping, user research, or copywriting. Whatever skills the work will demand to create great experience design.
In a spreadsheet, with each skill as a row, the hiring manager creates columns for each current team member. In each intersecting cell, the senior UX folks on the team rate the skills of each team member. (A few years back, we walked through a similar process in Assessing Your Team’s UX Skills.)
When done, the senior members of the team will have a great 30,000 foot view of the team’s strengths and weaknesses. Several teams we met keep these charts up to date in between hiring rounds, identifying where the team could use some training, when they might want to bring in consultants, and how to decide who to hire next.
When a team starts the hiring process without assessing their current skills, they end up duplicating skills they already have and leaving out important skills they truly need. The team ends up producing inferior designs even though they’ve just hired new talent.

Tip 2: Hiring Specifically for Hands or for Brains

We found the successful teams based their hiring on two areas - work they already know how to do and work they’ve never done before. The way they recruit, interview, and qualify the candidates changes dramatically, once they’ve decided which way they are heading.
We call these two directions hiring for hands and hiring for brains. Hiring for hands is when the team sees their future work filled with stuff they already know how to do well. They need to hire because they just don’t have enough people to handle the workload.
When a team hires for hands, they look for people with existing work practices that are close to how the team currently works. They want to hire people who quickly learn how their team works and adapt to their ways.
A team wants to hire for brains when the work ahead is unchartered territory. They want to bring in expertise to tackle problems and avoid obstacles they can’t yet see. The team needs an extra brain to figure this new stuff out, hopefully stocked with the knowledge and experience of solving similar challenges.
Unlike hiring for hands, the work isn’t defined yet, so the team will need people who are inclined to study the problem and puzzle out the challenges, instead of being told what to do. They need to look for folks who have comparable experience in the areas of the new work. And they need people who love a challenge, and have a history of bringing their teams along with them as they figure it out.
The personalities of great ‘hands’ candidates are quite different from those who will make great ‘brains’ candidates. If the team doesn’t know which they are hiring for, they are likely to choose the wrong person for the job, even though that individual is a very talented designer. This will yield frustration down the road when the new hire is itchy because they’re being asked to do things they aren’t interested in or can’t handle.

Tip 3: Defining Clear First Year Objectives

Several of the hiring managers we met were disciples of the recruiter Lou Adler, who’s book Hire with Your Head is the bible of performance-based hiring. In performance-based hiring, you don’t rely on previous experience, such as “5 years building e-commerce designs.” Instead, you declare intentions for the new hire’s work and let the candidate prove they can handle it.
One of the core tools in Mr. Adler’s method is the performance profile. This document describes the objectives the team needs the new hire to achieve in their first year.
We saw teams take this document very seriously. Before they wrote the job ad, reviewed resumes, or conducted interviews, they focused on creating a performance profile that accurately described the work ahead. Each objective was time based (“In the first two months”) and measurable (you could easily tell when it would be completed). The objectives were ordered, with the most important ones first.
Often, the entire team was involved in creating and discussing the objectives. These deliberations helped everyone understand why the position was needed. Often, team members who aren’t typically involved in the hiring process contributed details about the work that managers weren’t aware of.
By using a performance-based model, the team directly compares every candidates’ previous experience against what they’ll need them to do. This creates a more objective method to explore a candidate’s competence and potential.
Teams who launch into hiring without having a sense of the new hire’s first year objectives end up with a scattered approach to qualifying candidates. It’s harder to communicate which experience and traits to identify to the screening and interviewing team. Great candidates end up being eliminated prematurely and not-so-great candidates are given stronger consideration.

Tip 4: Design the Interview Experience

One surprise we found was how much effort the successful teams’ managers put into designing the entire interview experience. And they didn’t look at it from only the candidate’s experience; they also took a look at what it was like to be an interviewer.
Every member of the interview team was briefed and coached in advance. They went beyond proper interview techniques to how to qualify each candidate.
They held discussions on what would make a great new hire. They assigned each interviewer their own specific objective from the performance profile, so the interviewer would look at their candidates with a comparative lens specific to what the job entails.
The managers had assessment forms that looked at critical qualities like technical skills, project management skills, team skills, problem solving skills, and cultural fit. Before the first interviews, they went over the various ratings for each quality, establish a common vocabulary on what made a candidate great.
Teams that didn’t design the experience discovered their interview process to be slipshod. At the end of a round of interviews, they’d evaluate based on emotion instead of a thoughtful consideration of the candidate’s real capabilities. They’d miss important details. It was very likely they would dismiss someone on first impressions instead on whether that person was really suited for the job.

Being Thoughtful About Hiring

We’ve learned hiring the right individual is the most important factor to a UX team’s success. If a team brings on the wrong person, it drags everyone down. If they bring on the right person, the team can do more than ever before.
Yet hiring is not something we usually talk about professionally. It’s the most important thing we can do, yet we treat it like an after thought.
It doesn’t have to be this way. With techniques like the ones we’ve uncovered, teams can give thoughtful consideration to their interview process. In essence, they can design their interview process, just like everything else they work on. And when they do, they’ll see improvements to everything they do.

Jared M. SpoolAbout the Author

Jared M. Spool is the founder of User Interface Engineering. He spends his time working with the research teams at the company and helps clients understand how to solve their design problems.


via UIE Brain Sparks http://www.uie.com/brainsparks/2013/07/18/uietips-hiring-a-ux-pro/

Wednesday, July 17, 2013

7 Actions that Earn User Trust

by

Control of personal information in the digital space, and particularly on mobile devices, presents a uniquedesign challenge.
Most people aren’t aware that their personal data is being collected and shared. Many don’t take the time to validate their expectations and most never read privacy policies.
People become aware of these issues only when something happens that doesn’t meet their expectations, like seeing their friend’s picture in a Facebook ad or banner ads that match a recent purchase. And when people do become aware and their expectations are violated, trust in the brand is eroded.
People want transparency and control, but they want it on their terms. They don’t want to have their activities interrupted, but they do want to set controls on what is being collected and how it is used.

The Goal

The goal of the Digital Trust Initiative is to create awareness of privacy issues while not getting in the way of the experience. This is an even bigger challenge for mobile interactions due to small screen real estate and the need for consistency across apps and sites. However, it is not insurmountable. By leveraging visceral design constructs such as sound and vibration, we can create new experiences surrounding personal data collection that are transparent and provide control.

The 6 Design Principles

In our previous article, “Control and Transparency,” we outlined our approach to establishing user needs: conducting foundational research into the context of use. Through in-depth interviews, including asking participants to demonstrate how they use their mobile devices to access content, we gained a clear view of their experiences. Analyzing that data, we derived six design principles to guide the design process:
  1. Context: What are users’ mental models, beliefs, expectations, and task flows around maintaining their personal information?
  2. Motivation: What do users care about? What triggers their actions to adjust privacy settings?
  3. Awareness and attention: Do users know that a privacy status indicator exists? Once they realize that it’s there, do they pay attention to it when they are using their device?
  4. Discoverability: If users look for a privacy status indicator, can they find it? How visible does it have to be? Can it be something other than visual?
  5. Comprehension and retention: Do users understand and remember how to interact with or adjust settings via the privacy status indicator? Can they repeat processes?
  6. Usability: Can users interact with the status indicator? Is there a box that they can check for easy control?
From these six design principles, we dug deeper, arriving at a growing list of actions or best practices that DTI design must take into account. In this article, we will take a look at the first seven actions that we’ve solidified.

An Initial Set of Actions

These actions are essentially the barriers that must be overcome in order to earn users’ trust in the digital domain:
1. Timing: Tell me when I should care. Don't interrupt me, and don't force me to pay attention to something I’m not interested in at the moment. Ask for data when it is needed, at the moment when it makes sense intuitively and contextually.
  • Bad timing is asking or requiring the user to agree to terms when they are just trying to evaluate an app for the first time.
  • Good timing is requesting the user’s location in the process of placing an order; such an “in the moment” request seems perfectly natural, because users know the information is necessary to complete the transaction.
2. Organization: Why is the same action available in several places? Dispersed controls can be hard to find, and duplicative or similar-sounding controls are confusing. Provide access to all controls in one place, so that users can link them together easily. Simplify or consolidate similar controls to avoid user confusion.
  • Similar-sounding choices, such as “account settings” and “privacy settings,” create a difficult choice that’s also difficult to remember.
  • Privacy settings, when listed in several menu categories, make it unclear if they control the same or separate areas.
  • Page layouts on different platforms communicate differently. One platform uses action words to call attention to information: heading words like “settings” look like buttons requiring a click. Amidst all this apparent need for action, the privacy policy link gets lost on the page. The other platform interface is less action-oriented and more information-oriented, relieving the pressure on the user to click. As a result, the "Privacy Policy" link has more prominence.
3. Surface: Be transparent. If users have to go hunting, then they worry that something is being hidden from them. That makes them less trusting and more wary of a site.
  • Don’t make me look: people are not motivated to learn about privacy policies, so they will not look, and one click can be too much.
  • Don't make me dig: if it requires several taps and scrolling, it feels buried and “sneaky,” like the site might be hiding something.
  • Be available: if a higher-level icon is not available on every page, or not at the point of action, that can lead to user frustration or mistrust.
4. Embed: Don't make me hunt. Put the link into the text, at a natural point when I am interested in finding more information. If the site doesn’t link its brief text to the full version, then the user has to go hunting for it. This can be perceived as “trickery,” eroding trust.
5. Associate: Tell me what the consequences of my actions are.
  • Associate actions and outcomes—don't just provide a bare on/off choice without letting users know what each choice means.
  • An uninformed decision leaves the user in the dark as to the outcome of their choice to, for example, turn on Location Services for a search engine.
  • Informed decisions can be made when the site highlights what the consequences of such a choice will be, and follows up with the option to continue or cancel.
  • Associate information with state–tell me on the same screen what the icon means; don’t make me scroll down a long screen to find out.
6. Value proposition and consequences: Why should I do this? Give consumers a reason why personal information is needed, and the value proposition.
  • If an app requests permission to use current location, and also explains why, users are usually happy to comply. Brands earn trust when they clearly and simply outline the consequences of a choice.
  • If an app doesn’t really need the user’s current location, and provides no justification for needing it, people aren’t likely to agree to giving the information up.
  • Opaque statements like, “Hardware Controls Take pictures and videos” or warnings about consequences—“if you turn off cookies, some features and services may not function properly”—cause user anxiety: what does that mean? What will the impact be?
7. Informed consent: When did I say this was ok? Did the user make a choice, and did they understand what they were choosing? Give people the opportunity to understand and agree to the terms of providing their data. Be clear about what is being collected, and what can and cannot be controlled.
  • Action-based radio buttons are an attention-getting way to both give the user a sense of control and to indicate a choice previously made. By contrast, links tend to get lost.
  • Explanatory language that includes vague words—“such as,” “things like,” “for example”—does not fully convey all the possibilities, and may obscure the larger potential outcome.

Conclusion

While the six design guidelines and our growing list of actions have helped with initial design development, this is still just the beginning. Designing is a highly iterative process. As designers become involved, more design constructs enter the picture. This naturally leads to the identification of additional actions. In our current iterative design process, we have already identified at least two additional actions that will be addressed along with some other new actions in a future article.

The Digital Trust Initiative is an independent effort to study digital design and privacy policy in digital technology. The work of the initiative is funded, in part, by a variety of partners: Yahoo!, Create With Context, AOL, The Future of Privacy Forum (FPF), Verizon, and Visa. The views expressed in this article and the conclusions drawn do not reflect the views of these partners. Further, the partners have not independently verified the results of the study, nor do they make any representation as to the accuracy or value of any statements made herein.

Image of girl feeding Dalmatian courtesy Shutterstock.
via UX Magazine http://uxmag.com/articles/7-actions-that-earn-user-trust

Tuesday, July 2, 2013

Creating Content: How Much Is Too Much?

By JASON MILLER published JUNE 23, 2013

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how much is too much-content creationIs there such a thing as having too much content?Marketo customers often ask me this question, so I thought I would pose it to a few experts to get their perspective.
I consulted with Ann Handley, Chief Content Officer of MarketingProfs; Joe Pulizzi, CMI’s own Content Marketing Evangelist; C.C. Chapman, renowned storyteller, explorer, and humanitarian; Joe Chernov, VP of Marketing at Kinvey; and Marketo’s own Co-Founder and VP Marketing, Jon Miller.
Here are some of their thoughts, as well as my own, based on our collective experience with best practices and processes for creating content:

Aim for epic

Ann Handley believes — and I agree — that quality always trumps quantity when it comes to content. “I don’t think how much is the right question,” she challenged. “It’s more about how effective your content is. Focus on whether it’s meeting your objectives: Is it igniting conversations? Is it enabling relationships? Is it sparking business?”
Producing information carelessly just to build your content library won’t help your marketing efforts. In fact, that practice will only dilute your core points and distract your audience. Posting more thoughtful pieces less frequently is a strategic way to both control and spread your organization’s brand message, while keeping your reputation as a thought leader in check.
Content Marketing Institute’s Joe Pulizzi also backed up this opinion in his recent post on the fallacy that more content is better: “Content volume is important. Enterprise organizations need lots of content in many different forms and multiple channels,” he said. “But quality cannot be sacrificed. To break through the clutter, content must be epic.”
Epic content marketing might seem like a daunting expectation, but if you aim for content that’s original, imaginative, and sometimes even a little provocative, you’re already halfway there. So, don’t obsess over a content quota; instead, supply your audience with content that offers substance that they can’t easily find elsewhere or produce on their own. (Like a blog that summarizes four different experts’ opinions on a particular topic. You’re welcome.)

Keep it short and compelling

In addition to focusing on the frequency of your posts, pay close attention to word count and significance. How long should each piece of content be, ideally? C.C. Chapman knows how to tell a riveting story, so I wanted his feedback on this content conundrum. “My philosophy is to follow the miniskirt approach: enough content to cover the essentials, but still keep it interesting,” was his advice.
In other words, your content should include relevant and timely information that’s concise. Don’t drone on! People are busy, and their attention spans are short. Help them skim your content by grouping it with subtitles. Use callouts to focus their attention where it matters most. And instead of trying to say everything in one place, include links in your pieces to information that backs up your point. Linking to content from your own archives will keep your audience engaged with your marketing platform and bolster your credibility at the same time.
C.C. believes that there’s an art to timing and keeping audiences engaged without ever boring them: “You need to produce constantly, because if you go silent, your audience might look elsewhere. And when that happens, it’s hard to bring them back,” he cautions. “If you are not creating and sharing information at least once a week on one of your channels, it’s not enough.”
It’s all about being a “baller of balance,” Marketo’s VP of Marketing, Jon Miller asserts: “The challenge is maintaining a high bar of quality; if your content is not relevant and useful to your target personas — in other words, educational and entertaining — more content might actually hurt your efforts. Buyers are already overwhelmed by brands competing for their attention; don’t make it worse with irrelevant content.”

Measure what works

The marketer’s job isn’t only to produce content, but also to use analytics to identify the ideal volume and frequency. I asked Joe Chernov — who, by the way, was named as the 2012 Content Marketer of the Year — for his sage input on finding the right balance of quality and volume.
“The balance comes from the right amount of testing against what the overall objectives are,” is what Joe told me. “The audience — not the publisher — determines content quality, and the same holds true for content volume. I’ve cut content output by 20 percent and I’ve still seen all KPIs increase because I [had been overproducing] the content.”
I was thrilled to hear him mention testing, because it’s such an important component of content marketing. With marketing automation tools, you can fine-tune your content output to what your audience engages with most, based on the metrics you see after each post.
Like all marketing activities, your investment into content can exhibit diminishing returns. Doubling your investment might only return 40 percent greater results. But be realistic here. As Jon Miller says, “Most companies are at the low end of the content curve right now, so small incremental investments in additional content could yield large incremental returns.”
“My advice,” says Jon, “is to keep investing more while you move up the curve (perhaps taking funds from other marketing tactics — like trade shows — and moving them down the curve) until the marginal return of your incremental investment is at the same level as your other tactics.”
Here’s a quick visual to illustrate Jon’s point:
diminishing returns-creating content
Doing more without investing additional resources? That sounds like the “right” amount of content for your budget to me. When you keep a close eye on metrics that pinpoint where your marketing efforts are on the curve, you’ll know exactly where to optimize your marketing investment.

The content takeaway

It’s important to have a regular cadence of content to “feed the machine.” But the experts’ consensus is that balance comes from focusing on quality over quantity, staying consistent, and using metrics tools to measure audience engagement. Once you find the perfect content rhythm for your blog, email marketing, and social channels, you just might discover that less content is bringing you more success.
Looking for more expert advice on the best processes and procedures for creating quality content? You won’t want to miss this year’s Content Marketing World conference. Register today.
Cover image via Bigstock